Date 2019.
Unless requested, this artwork is sold unframed.
Date 2019.
Unless requested, this artwork is sold unframed.
Date 2018.
Unless requested, this artwork is sold unframed.
Date 2020.
Unless requested, this artwork is sold unframed.
Date 2018.
Unless requested, this artwork is sold unframed.
Date 2020.
Unless requested, this artwork is sold unframed.
Date 2020.
Unless requested, this artwork is sold unframed.
Date 2020.
Unless requested, this artwork is sold unframed.
Date 2018.
Unless requested, this artwork is sold unframed.
Date 2018.
Unless requested, this artwork is sold unframed.
Date 2020.
Unless requested, this artwork is sold unframed.
Date 2020.
Unless requested, this artwork is sold unframed.
Date 2020.
Unless requested, this artwork is sold unframed.
Date 2020.
Unless requested, this artwork is sold unframed.
Date 2020
Unless requested, this artwork is sold unframed.
Date 2020.
Unless requested, this artwork is sold unframed.
Christian Lacroix campaign. Date 1987.
Unless requested, this artwork is sold unframed.
Date 1988.
Unless requested, this artwork is sold unframed.
Date 1987.
Unless requested, this artwork is sold unframed.
Date 1989.
Unless requested, this artwork is sold unframed.
Image belonging to the series Eolionimia. Date 2013.
In Eolionimia (the art of naming winds) atmospheric phenomena of different nature are recorded: snowstorms, the effect of wind, fog and other agents, as well as icebergs and northern lights. This set of works, which includes two videos and a video installation, proposes a model of relationship with uncertainty and unpredictability from the perspective of meteorology, exploring the notion of incommensurability and quantification of uncertainty.
Unless requested, this artwork is sold unframed.
Image belonging to the series Eolionimia. Date 2013.
In Eolionimia (the art of naming winds) atmospheric phenomena of different nature are recorded: snowstorms, the effect of wind, fog and other agents, as well as icebergs and northern lights. This set of works, which includes two videos and a video installation, proposes a model of relationship with uncertainty and unpredictability from the perspective of meteorology, exploring the notion of incommensurability and quantification of uncertainty.
Unless requested, this artwork is sold unframed.
Image belonging to the series Eolionimia. Date 2013.
In Eolionimia (the art of naming winds) atmospheric phenomena of different nature are recorded: snowstorms, the effect of wind, fog and other agents, as well as icebergs and northern lights. This set of works, which includes two videos and a video installation, proposes a model of relationship with uncertainty and unpredictability from the perspective of meteorology, exploring the notion of incommensurability and quantification of uncertainty.
Unless requested, this artwork is sold unframed.
Image belonging to the series Eolionimia. Date 2013.
In Eolionimia (the art of naming winds) atmospheric phenomena of different nature are recorded: snowstorms, the effect of wind, fog and other agents, as well as icebergs and northern lights. This set of works, which includes two videos and a video installation, proposes a model of relationship with uncertainty and unpredictability from the perspective of meteorology, exploring the notion of incommensurability and quantification of uncertainty.
Unless requested, this artwork is sold unframed.
This artwork is part of the series of images from Javier Vallhonrat’s “Precarious Objects” exhibition, dating of 1995.
Unless requested, this artwork is sold unframed.
John Galliano campaign. Date 1988.
Unless requested, this artwork is sold unframed.
Date 1989.
Unless requested, this artwork is sold unframed.
These two artworks belong to the same series dating of 1988. They can purchased separately or together.
Left: “John Galliano, grey gloves”
Right: “John Galliano, white & orange”
Unless requested, these artworks are sold without frames.
Extract from the book “Autograms”, dating of 1991.
For this series of images, Javier Vallhonrat wanted to render visible the process which is implied in the creation of a photographic image. For which he worked in total darkness for a period of 6 months between 1990 and 1991, with only matches as a source of light, and utilizing long expose times.
The nature of the results shows that a degree of uncertainty has to be accepted as an integral part of this process.
Unless requested, this artwork is sold unframed.
Extract from the book “Autograms”, dating of 1991.
For this series of images, Javier Vallhonrat wanted to render visible the process which is implied in the creation of a photographic image. For which he worked in total darkness for a period of 6 months between 1990 and 1991, with only matches as a source of light, and utilizing long expose times.
The nature of the results shows that a degree of uncertainty has to be accepted as an integral part of this process.
Unless requested, this artwork is sold unframed.
Extract from the book “Autograms”, dating of 1991.
For this series of images, Javier Vallhonrat wanted to render visible the process which is implied in the creation of a photographic image. For which he worked in total darkness for a period of 6 months between 1990 and 1991, with only matches as a source of light, and utilizing long expose times.
The nature of the results shows that a degree of uncertainty has to be accepted as an integral part of this process.
Unless requested, this artwork is sold unframed.
Extract from the book “Autograms”, dating of 1991.
For this series of images, Javier Vallhonrat wanted to render visible the process which is implied in the creation of a photographic image. For which he worked in total darkness for a period of 6 months between 1990 and 1991, with only matches as a source of light, and utilizing long expose times.
The nature of the results shows that a degree of uncertainty has to be accepted as an integral part of this process.
Unless requested, this artwork is sold unframed.
On a train to the Alps, Switzerland.
Unless requested, this artwork is sold unframed.
Image belonging to the series of images part of the documentary book “Honey Hunters”, dating of 1987.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Image belonging to the series of images part of the documentary book “Honey Hunters”, dating of 1987.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Image belonging to the series of images part of the documentary book “Himalaya”, dating of 2001.
The peasants from the area come to enjoy the spectacle of the honey-gatherers and for a part of the booty, which they exchange for rice, legumes and alcohol. They are often attacked by the bees.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Image belonging to the series of images part of the documentary book “Princesses of the Forest”, dating of 2001.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Canary Islands Forest Landscape, 2018.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Extract from book “Caravans”.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
The caravans of yaks walk along the Lake Ringmo, at an altitude of 11800 feet (3600 meters. Soon men and beast will arrive to the dwellings of their Chetri trade partners, with whom they will exchange salt for grain.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Portrait of Nepalese Boy. Extract from the book “High Himalaya”.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Landscape of High Himalaya.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Portrait of Himalayan Woman. Extract from the book “High Himalaya”.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
The pilgrims postrate in front of the crystal mountain during the annual pilgrimage of the full moon in August. The “lapse”, a cairn topped with prayer flags, symbolizes the residence of gods. Horns of the best yaks are piled here to facilitate their happy reincarnation.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Portrait of Mani Lal Gurung, Honey Hunter. A bee rests on his check between two excursions to harvest honey. Belonging to the series of images part of the documentary book “Honey Hunters”, dating of 1987.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Landscape image from inside a cave depicting a Shadow Hunter waving. Chang Luk bay, Thailand. Extract from the book “Shadow Hunters”.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
Tharu, sourthern Himalaya.
Unless requested, this artwork is sold unframed.
To request alternative image sizes feel free to reach out to us.
